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Interlude

‘lethargy arises not just from exhaustion or being ill at ease, but also because digital platforms specify that only certain forms of interaction – most obviously interactions that generate value – count as ‘being yourself’’. (Hu 35)  

‘Welcome to the Digital Experience…’

Section 4 Contemporary Digital Writing and Algorithmic Reading

YOUR
LIVED
ZONE

4A. Interface

Figure 29. Screenshot of the Interface Home Screen.

Smartphone Home Screen

Figure 30. Screen Recording on Pinterest.

Figure 31. Screen Recording on Instagram Reels.

4B. Platformic Writing

Figure 32. Platformic Writing: Instagram post and caption.

33. Instagram comment

– Author-generated

Figure 33. Instagram comments section.

Screenshot of Instagram Comments section showing user interactions and comment threads.(Screenshot by Georgia-mae Tan, 2025)

Figure 34. Instagram. “Doomscrolling.Instagram, uploaded by @inafinity

Interlude

4C. Personal Research into digital and paper technologies in my life.

Figure 35. Chen Chen. A Small Book of Questions: Chapter III. Instagram post, @griefoflight

In this space, poetry behaves differently for me. Perhaps it is because Chen Chen writes with a beautiful blatant brightness that echoes an all-consuming love – ‘I kiss him’. Perhaps it is our own empathetic wiring that lets us see past the repetition, machinic and dull like hammered pixels.

Figure 36. Tan, Georgia‑mae. Poem from Quilted, 2024, “Growing Pains.”

journaling ecosystems

Figure 37. Screenshot of Youtube “Journalling Ecosystems”.

Figure 38. Picture of Journaling process.

My own process of journaling
(Photographed by Georgia-mae Tan, 2025)

My Journaling Ecosystem across Digital and Print spheres

Fig 6 my journal
Figure 7 my journal
Fig 8 my journal

Social Media, Digital Reading, and the Persistence of Print

The rise of social media has not precipitated the disappearance of print so much as it has recalibrated its cultural function. Digital reading practices offer immediacy and circulation, in contrast to the slowness and material depth of print. Rather than existing in opposition, digital platforms and print cultures operate in a mutually sustaining ecology. The ephemerality of social media and digital narratives drives readers towards the stability and authority of printed works. Print persists not despite social media, but because the digital intensifies our awareness of material permanence and aesthetic labour of the printed page.

– END

Works Cited

Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by

Brian Massumi, University of Minnesota Press, 1987.

Hayles, N. Katherine. “Print Is Flat, Code Is Deep: The Importance of Media-Specific

Analysis.” Poetics Today, vol. 25, no. 1, 2004, pp. 67–90.

Hu, Tung-Hui. Digital Lethargy: Dispatches from an Age of Disconnection. The MIT Press, 2022.

Kittler, Friedrich. There Is No Software. Translated by Geoffrey Winthrop-Young and Michael

Wutz, Raley, University of California, Santa Barbara, 2006, https://raley.english.ucsb.edu/wp-content/Engl800/Kittler-nosoftware.pdf